We live in an age obsessed with being right. Yet history suggests that civilizations are not preserved by sharper ideas, but by deeper restraint. Through Bushido, the Japanese concept of shisei, and the ancient tale of Princess Kaguya, this essay explores a different foundation for maturity: not the triumph of ideology, but the discipline of how one stands when power is within reach.

Ⅰ. Introduction - When Being Right Is Tearing the World Apart

We live in an age of certainty.

Everywhere we look, people are convinced they are right.
Right about politics.
Right about morality.
Right about justice.
Right about history.

Our modern world is built upon ideas.
We define what is true.
We declare what is good.
We defend what we believe.

And yet, the more certain we become, the more divided we seem to be.

Nations fracture.
Communities polarize.
Families fall silent across dinner tables.

The problem is not that ideas exist.
Ideas are necessary.
They help us think, organize, and pursue truth.

But when identity becomes inseparable from ideology,
when being right becomes more important than how we stand in relation to others,
civilization begins to harden.

Perhaps the crisis of our time is not a crisis of ideas.

Perhaps it is a crisis of conduct.

This is where Bushido — the Way of the Warrior — still speaks to us.

Often misunderstood as a rigid code of samurai honor,
Bushido was never primarily about doctrine.
It was about discipline.
About restraint.
About how one stands when one has power.

In a world obsessed with winning arguments,
Bushido asks a different question:

Not “Are you right?”
But “How do you stand?”

And from that question, a different vision of civilization begins.

Ⅱ. Bushido — Not a Code, but a Discipline of Conduct

Bushido is often translated as “the samurai code.”

This translation, while convenient, is misleading.

A code suggests a system of fixed doctrines —
a list of rules one must believe,
a defined set of principles one must accept.

But Bushido was never codified in that way.

There was no single sacred text.
No universal declaration.
No formal creed that every warrior had to recite.

What existed instead was something far more subtle.

Bushido was a discipline of conduct.

It did not begin by asking,
“What do you believe?”

It asked,
“How do you act when it matters?”

How do you behave when you hold authority?
How do you respond when you are insulted?
How do you act when you could win easily?

The essence of Bushido was not intellectual agreement.
It was restraint.

A warrior was not defined by the sharpness of his ideas,
but by the depth of his self-control.
composed in victory,
measured in anger,
responsible in power.

Strength without arrogance.
Authority without cruelty.
Conviction without hatred.

This was not ideology.
It was training.

In Japanese, many cultural paths end with the word dō —
Kendō (the way of the sword),
Sadō (the way of tea),
Kadō (the way of flowers).

The word dō means “the way.”

But it does not mean a correct answer.
It means a way of walking —
a way of shaping oneself through practice.

Bushido belonged to this tradition.

It was not about declaring what is right.
It was about becoming the kind of person who can be trusted with power.

In that sense, Bushido was less a philosophy of ideas
and more a cultivation of how one stands.

Ⅲ. From Ideology to Identity — The Modern Shift

If Bushido was rooted in conduct,
modern civilization became rooted in ideas.

A decisive turning point came in the 17th century,
with the French philosopher René Descartes and his famous declaration:

“I think, therefore I am.”

Before this moment, the foundation of existence in Europe was largely theological.
Truth was grounded in God.
Human beings were situated within a divine order.

Descartes did something radical.

He doubted everything.
Tradition.
Authority.
Even the senses.
Even God.

What remained after all doubt was stripped away
was simply this: he was doubting.

And if he was doubting,
he was thinking.

And if he was thinking,
he existed.

With this shift, the foundation of existence moved
from God
to the thinking self.

The consequences were enormous.

Human beings were liberated from religious monopoly.
From inherited authority.
From unquestioned hierarchy.

Modern freedom was born.

But something else was born as well.

When existence becomes grounded in thought,
ideas begin to define identity.

“I think this way”
slowly becomes
“This is who I am.”

At that point, disagreement is no longer merely intellectual.
It feels existential.

If my ideas define me,
then to reject my ideas
is to reject me.

And when ideas become extensions of identity,
defending them becomes self-defense.

Correctness becomes moral urgency.
Debate becomes combat.
Conviction becomes a weapon.

Modern civilization did not merely develop ideologies.
It developed ideological selves.

This is why disagreement today so easily escalates into hostility.

When thought becomes identity,
compromise feels like betrayal.

And the more refined and sophisticated ideas become,
the more fragile the self often becomes.

The paradox of modernity is this:

The age that liberated the individual
also tied the individual’s sense of being
to the sharpness of his ideas.

In contrast, Bushido never asked,
“What do you think?”

It asked,
“How do you stand?”

This difference — subtle yet profound —
may explain why the modern world,
for all its intellectual brilliance,
struggles so deeply with division.

Ⅳ. Shisei — A Different Center of Gravity

In Japan, there is a commonly used word: shisei.

It is often translated as “posture.”
Sometimes as “attitude.”

But neither translation fully captures what the word means.

“Posture” suggests physical alignment.
“Attitude” suggests mental disposition.

Shisei includes both —
and yet it is deeper than either.

Shisei is the alignment of one’s inner being
and outer conduct —
especially in the presence of power.

It is revealed not in what we claim to believe,
but in how we behave when we have the advantage.
It appears most clearly
when nothing compels us to behave well.

How do you act
when you are right?

How do you respond
when you are angry?

How do you stand
when you could win?

This is shisei.

Ideology defines the world.
Shisei defines the self.

Ideology seeks to correct others.
Shisei disciplines one’s own conduct.

Ideology asks,
“What is true?”

Shisei asks,
“How shall I stand before this truth?”

This distinction is subtle,
but it changes everything.

Shisei does not require agreement.
It requires integrity.
It is not about winning arguments.
It is about becoming trustworthy.

It does not demand conversion.
It demands restraint.

It is visible
when a leader chooses not to humiliate an opponent,
when strength is exercised without cruelty,
and when conviction does not become arrogance.

In Japanese culture, the word shisei does not divide neatly into separate mental and physical categories.
English, however, separates them into distinct conceptual categories.

“Posture” comes from the Latin ponere — to place.
It refers primarily to the positioning of the body.

“Attitude” derives from aptitudo — a mental disposition or readiness.
It describes an inner stance toward something.

“Stance” implies a position taken,
often in opposition or assertion.

Each term isolates a dimension:
body,
mind,
position.

Shisei does not.

In Japanese usage,
the body and the mind are not linguistically severed.

To correct one’s posture
is already to correct one’s inner orientation.

To stand properly
is to think properly in a moral sense.

The word itself resists fragmentation —
just as Bushido resists reducing ethics to ideology.

That itself is meaningful.

The West often separates body and mind.
Thought and action.
Belief and behavior.

In the Japanese linguistic and cultural framework,
these are not so easily divided.

To stand correctly
is already to shape one’s moral awareness.

To adjust one’s bearing
is to adjust one’s heart.

Shisei is therefore not an abstract philosophy.
It is a lived discipline.

It is what remains
when ideology falls silent.

And it is perhaps what the modern world,
rich in ideas yet fragile in unity,
needs to rediscover.

Ⅴ. The Emperor — Power Without Possession

To understand shisei more clearly,
we turn to one of Japan’s oldest narratives —
a tale written over a thousand years ago,
most likely by a woman.
It is known as The Tale of the Bamboo Cutter.

In this story, a mysterious girl from the moon — later known as Princess Kaguya — grows into a woman of extraordinary beauty and wisdom. Many powerful men seek her hand in marriage. Each fails.

At the center of the story stands the Emperor.

He is the highest authority in the land.
He possesses both political power and social legitimacy.
If he wished, he could command Kaguya to enter the court.

Yet he does not.

When he realizes that her heart does not belong to him,
he does not force her.

He does not claim what he could claim.
He does not command what he could command.

Here, shisei appears.

Power restrained.
Authority without coercion.
Desire without possession.

The most revealing moment comes at the end of the story.

Kaguya must return to the moon.
Before leaving, she sends the Emperor a gift —
the elixir of immortality.

In many civilizations, immortality is the ultimate triumph.
To live forever is to conquer death itself.

The Emperor receives the elixir.

And he orders it to be burned
on the highest mountain in the land —
a mountain that later comes to be known as Mount Fuji.

He does not seek eternal life.
He does not attempt to overcome loss.
He does not cling to what cannot remain.

Instead, he accepts finitude.

He accepts that there are things
that must not be possessed.
That must not be reclaimed.
That must be allowed to pass.

This is not weakness.

It is civilizational maturity.

A civilization is not measured only by what it can achieve.
It is measured by what it chooses not to take.

Not crossing a boundary.
Not humiliating the powerless.
Not clinging to eternity.

The Emperor in this story does not argue for moral superiority.
He embodies it.

Through restraint.
Through dignity.
Through shisei.

Ⅵ. Civilization and the Refusal of Immortality

What does this story ultimately reveal?

It reveals a civilization that does not worship permanence.

In many cultures, the highest aspiration is transcendence —
to overcome death,
to defeat limitation,
to secure an eternal order.

Immortality is victory.
Permanence is stability.
Control is safety.

But in The Tale of the Bamboo Cutter,
immortality is refused.

Not because it is unattainable —
but because it is not chosen.

This distinction is crucial.

The Emperor does not lack power.
He lacks neither authority nor opportunity.

He simply does not cling.

He allows what must depart to depart.
He accepts what cannot be possessed.

In doing so, the story proposes something radical:

Civilizational maturity lies not in conquering limits,
but in accepting them with dignity.

A civilization that must dominate to feel secure
remains fragile.

A civilization that must prove itself right
remains anxious.

A civilization that cannot tolerate finitude
will endlessly seek control.

But a civilization that understands shisei
knows that power without restraint
is immaturity.

To refuse immortality
is not defeat.

It is freedom from obsession.

It is the willingness to live fully
within the boundaries of human existence.

This is why the story endures.

It does not promise triumph.
It does not guarantee permanence.
It does not glorify conquest.

It honors bearing.

It honors restraint.

It honors how one stands
in the face of loss.

And perhaps this is the deeper lesson of Bushido as well.

Not the sharpening of the sword —
but the steadying of the hand.

Ⅶ. Where Do We Stand Now?

We live in an age overflowing with ideas.

Arguments compete for attention.
Certainties collide.
Correctness is sharpened and displayed.

Never before have human beings had access to so many explanations —
and yet rarely have we been so divided.

The question before us, then, is not only
what we believe,
but how we stand.

Do we use our convictions to defeat others?
Or do we use them to discipline ourselves?

Do we seek to prove we are right?
Or to become worthy of trust?

The tradition of Bushido,
and the older cultural sensibility reflected in The Tale of the Bamboo Cutter,
offer no universal answers.

They offer something quieter —
and perhaps more demanding.

They ask each person to examine their own shisei.

How do I behave when I am correct?
How do I act when I hold power?
How do I stand when nothing forces me to be decent?

Civilizations do not collapse because they lack intelligence.
They collapse when restraint disappears.

The future will not be shaped by which ideology wins.
It will be shaped by how many people can stand with dignity
in moments of advantage, anger, and loss.

This is not a call to abandon thought.
It is a call to ground thought
in posture, bearing, and responsibility.

Not the triumph of ideas —
but the maturity of stance.

That, perhaps, is what the Japanese word shisei
quietly points toward.